If you’re like me you read that and thought of Isekai Nonbiri Nouka. It isn’t. I bought it on audible for a couple bucks and at first I thought ok, I can deal with this. Not a unique idea or a particular interesting. Yet, I do love when authors take classes that aren’t necessary strong and make them strong either through pure bullshit or because plot. Either is fine really. I doubt anyone who reads gamelit/litrpg is ever diving into a story expecting to read Macbeth. For every ten stories you read you’ll maybe, maybe, read a sentence or two you actually liked.
OGIBRAAF….. yeah, no, we’re going to use “Farmer Story” instead of whatever the fuck that was.
In Farmer Story they set it up as Andrew (truck-kun victim) (wass’t actually a truck) our protagonist as a self proclaimed gaming exploiter. What I assume the author called game/penn testers(?) maybe. who cares. Anyway, at some point in the story he figures out an exploit that is class restricted. All levels in Farmer Story are locked to their own class. It is odd and doesn’t really add anything to the story.
So, the Queen Regnant calls Andrew to her after his exploit becomes known. along the way the MC meets a few people who obviously are important and they’re going to help him! Because that’s the type of story this is. I’m used to all this self insert crap I can deal with authors thinking a moment of introspection counts as conflict. That is fine. Andrew-boy doesn’t want to just hand her the method he used to get levels for his mayor friend. Which … doesn’t make any fucking sense.
half the story is about how clever and ingenious he can be finding clever solutions to his problems.
This shouldn’t have been a plot point. Why help the mayor get levels but not the queen fucking regnant.
ok. I don’t want to spend anymore time thinking about this dumb dumb dumb book.
>:(